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	<title>Comments for artdiary.net</title>
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	<description>Communicate with Art</description>
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		<title>Comment on Piet Mondrian, Broadway Boogie Woogie by Anthony</title>
		<link>http://artdiary.net/mondrian-broadway-boogie-woogie/#comment-54</link>
		<dc:creator>Anthony</dc:creator>
		<pubDate>Tue, 25 Jan 2011 05:11:57 +0000</pubDate>
		<guid isPermaLink="false">http://artdiary.net/?p=262#comment-54</guid>
		<description>freckles.  with bandaids.  yellow = giraffe.  the long straight lines mean giraffes.  for sure.  precision, balance.  the close verticals on the left  and the right then space in the middle, turn sideways and there is the close nexx  in the middle.  this feel klunky, uncomfortable.  tiny box.  trust the process trust the process.  the bandaid that catches my eye the most is the yellow and grey one almost in the middle to the left of center.  the rest look like legos.  a lego sage.  the guy who invented legos saw this and had an aha.  a kitchy reproduction of mondrians all done in legos.  i am seeing the history of modern art in fast forward from the amazing pure moment of geinus that is broadway boogie woogie up to the lego reproduction.  bad?  devalued?  absolutely not.  Thank you Piet for your unadulterated vision to give a fresh faced designer or a fresh faced kid the pure inspiration to make something.</description>
		<content:encoded><![CDATA[<p>freckles.  with bandaids.  yellow = giraffe.  the long straight lines mean giraffes.  for sure.  precision, balance.  the close verticals on the left  and the right then space in the middle, turn sideways and there is the close nexx  in the middle.  this feel klunky, uncomfortable.  tiny box.  trust the process trust the process.  the bandaid that catches my eye the most is the yellow and grey one almost in the middle to the left of center.  the rest look like legos.  a lego sage.  the guy who invented legos saw this and had an aha.  a kitchy reproduction of mondrians all done in legos.  i am seeing the history of modern art in fast forward from the amazing pure moment of geinus that is broadway boogie woogie up to the lego reproduction.  bad?  devalued?  absolutely not.  Thank you Piet for your unadulterated vision to give a fresh faced designer or a fresh faced kid the pure inspiration to make something.</p>
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		<title>Comment on Pablo Picasso, Les Demoiselles d’Avignon by abill2011</title>
		<link>http://artdiary.net/picasso-demoiselles/#comment-53</link>
		<dc:creator>abill2011</dc:creator>
		<pubDate>Wed, 12 Jan 2011 04:17:36 +0000</pubDate>
		<guid isPermaLink="false">http://artdiary.net/?p=258#comment-53</guid>
		<description>now I am testing this just to see what happens next.</description>
		<content:encoded><![CDATA[<p>now I am testing this just to see what happens next.</p>
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	<item>
		<title>Comment on Pablo Picasso, Les Demoiselles d’Avignon by abill2011</title>
		<link>http://artdiary.net/picasso-demoiselles/#comment-52</link>
		<dc:creator>abill2011</dc:creator>
		<pubDate>Wed, 12 Jan 2011 04:14:19 +0000</pubDate>
		<guid isPermaLink="false">http://artdiary.net/?p=258#comment-52</guid>
		<description>nudes.  masks.  the classic and the edge.  even still life.  am i laughing because of the stereo types i am looking at or am i laughing with joy because of the beauty that is on display.</description>
		<content:encoded><![CDATA[<p>nudes.  masks.  the classic and the edge.  even still life.  am i laughing because of the stereo types i am looking at or am i laughing with joy because of the beauty that is on display.</p>
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		<title>Comment on Frank Stella, Atvatabar by ArtLuver</title>
		<link>http://artdiary.net/stella-atvatabar/#comment-51</link>
		<dc:creator>ArtLuver</dc:creator>
		<pubDate>Wed, 05 Jan 2011 06:07:04 +0000</pubDate>
		<guid isPermaLink="false">http://artdiary.net/?p=165#comment-51</guid>
		<description>I logged in just fine - all i had to do was create a username and password for the site, then check my email for my temp password, then I could log-into the site. Once I got in I was told to change my password to something I could remember and add my name, website and chat information and that was it!</description>
		<content:encoded><![CDATA[<p>I logged in just fine — all i had to do was create a username and password for the site, then check my email for my temp password, then I could log-into the site. Once I got in I was told to change my password to something I could remember and add my name, website and chat information and that was it!</p>
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	<item>
		<title>Comment on Frank Stella, Atvatabar by ArtDiaryTester</title>
		<link>http://artdiary.net/stella-atvatabar/#comment-50</link>
		<dc:creator>ArtDiaryTester</dc:creator>
		<pubDate>Wed, 05 Jan 2011 05:57:54 +0000</pubDate>
		<guid isPermaLink="false">http://artdiary.net/?p=165#comment-50</guid>
		<description>i am testing the site...how does one subscribe and register to comment?</description>
		<content:encoded><![CDATA[<p>i am testing the site…how does one subscribe and register to comment?</p>
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		<title>Comment on Julian Schnabel, Owl by Anthony</title>
		<link>http://artdiary.net/schnabel-owl/#comment-49</link>
		<dc:creator>Anthony</dc:creator>
		<pubDate>Wed, 05 Jan 2011 04:40:08 +0000</pubDate>
		<guid isPermaLink="false">http://artdiary.net/?p=6#comment-49</guid>
		<description>1. Blood, spaghetti, tongs, mummies.  Symmetry, red plates like teeth, quartered heard, metallic purple, ooh that little blue thing, like a credit card, and the blue lady ornament; ice cream mummies.  Now at closer look it is the torso

2. Of a guy or a girl in red.  The black lines are map points.  Mummy on the left has this sick wet shit colored wrapping

3. The plates look like chipped teeth; they are letter openers; meant to slice into the body behind; and that shiny white line on

4. The purple letter opener the bright white hot light is hitting that instrument; they must be sharp because this art is sharp; makes me feel like a sex machine; I wanna get into it man; these black lines are more like twigs, the kind I use to clean my teeth when I am

5. Siting on my back porch.  This lady is a high society fashion plate stuck somewhere in Virginia.

6. In Virginia.  The lines are the map to get her homes.  She is about to use the letter openers to slice her wrists because sh is so depressed stuck in this back woods mountain town.

7. The little girls is the replica of who she used to be, who she yearns for; and shit here I am making up a stooped story instead of going going gone

8. What can her arms be doing.? They are either out like Christ with spikes through her hands or they are tied behind her back or they are little pieces of spaghetti covered in red sauce.  I know she don’t look like the little girl because she has been on  heroin for the last year, that noir thing again

9.  They are cake decorators and they are decorating a cake that looks like a woman.  The circle in 4 parts is an amulet, an valuable talisman, a clue to nothing

10.  There is a tiny bit of white shooting up toward the neck off the red.  Flicker of a white flame from that one part of the gas grill, form that one part of my creative heart</description>
		<content:encoded><![CDATA[<p>1. Blood, spaghetti, tongs, mummies.  Symmetry, red plates like teeth, quartered heard, metallic purple, ooh that little blue thing, like a credit card, and the blue lady ornament; ice cream mummies.  Now at closer look it is the torso</p>
<p>2. Of a guy or a girl in red.  The black lines are map points.  Mummy on the left has this sick wet shit colored wrapping</p>
<p>3. The plates look like chipped teeth; they are letter openers; meant to slice into the body behind; and that shiny white line on</p>
<p>4. The purple letter opener the bright white hot light is hitting that instrument; they must be sharp because this art is sharp; makes me feel like a sex machine; I wanna get into it man; these black lines are more like twigs, the kind I use to clean my teeth when I am</p>
<p>5. Siting on my back porch.  This lady is a high society fashion plate stuck somewhere in Virginia.</p>
<p>6. In Virginia.  The lines are the map to get her homes.  She is about to use the letter openers to slice her wrists because sh is so depressed stuck in this back woods mountain town.</p>
<p>7. The little girls is the replica of who she used to be, who she yearns for; and shit here I am making up a stooped story instead of going going gone</p>
<p>8. What can her arms be doing.? They are either out like Christ with spikes through her hands or they are tied behind her back or they are little pieces of spaghetti covered in red sauce.  I know she don’t look like the little girl because she has been on  heroin for the last year, that noir thing again</p>
<p>9.  They are cake decorators and they are decorating a cake that looks like a woman.  The circle in 4 parts is an amulet, an valuable talisman, a clue to nothing</p>
<p>10.  There is a tiny bit of white shooting up toward the neck off the red.  Flicker of a white flame from that one part of the gas grill, form that one part of my creative heart</p>
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	<item>
		<title>Comment on Frank Stella, Atvatabar by Anthony</title>
		<link>http://artdiary.net/stella-atvatabar/#comment-48</link>
		<dc:creator>Anthony</dc:creator>
		<pubDate>Wed, 05 Jan 2011 04:38:38 +0000</pubDate>
		<guid isPermaLink="false">http://artdiary.net/?p=165#comment-48</guid>
		<description>1  ooh I get all scratchy looking at this.  The middle lines make it all bubbly.  The b &amp; w circles make it like a record.  An old vinyl record.
2 and then there is this collage plopped on top of the record.  What is the song .  I am attracted to the black burnt thing in the lower middle.  The brite red
3 coursing from the left  and beeking back out at the top.    We have lots of types of swirls.  Multi color.  Gold.  Yellow and black.  An arrow is shooting from top l to bottom r.
4 ahh the arrow is a balancer.  The organizer.  Rich with colors because its in charge.  It is soaking up the colors form all  the other energies.  And we are talking about different energies.  Like a symphony.  The music is classical.  Punk classical.  I said that because of a personal prejudice
5 I affirm the balance because on the record the N-S axis is made clear by the wavy lines that deviate from the
6 full circles.  So the entire piece is tiled to be a about 730.  PM or AM?    Then there is also this earthy spotted piece like mold.  There is the brown mold and the black mold that seems apart from the energy swirls
7 and the red blast.  Rocket fuel no doubt to feed into the balancing arrow.
8 an exercise in pure aesthetic beauty.  More like a jazz symphony a la dizzy in the 50’s.  How far can we push
9 this free thinking thing and keep the semblance of order?  Now that I have blasted it apart it really hangs together.  Cule DAD. Cue bongos at the intro.  I starts to move now that I am past breaking it apart.
10  and there is a hint of the sun sending a float of energy because the record is grey at the top and black at the bottom.  A view of earth from space with a really jazzy blurry lens.</description>
		<content:encoded><![CDATA[<p>1  ooh I get all scratchy looking at this.  The middle lines make it all bubbly.  The b &amp; w circles make it like a record.  An old vinyl record.<br />
2 and then there is this collage plopped on top of the record.  What is the song .  I am attracted to the black burnt thing in the lower middle.  The brite red<br />
3 coursing from the left  and beeking back out at the top.    We have lots of types of swirls.  Multi color.  Gold.  Yellow and black.  An arrow is shooting from top l to bottom r.<br />
4 ahh the arrow is a balancer.  The organizer.  Rich with colors because its in charge.  It is soaking up the colors form all  the other energies.  And we are talking about different energies.  Like a symphony.  The music is classical.  Punk classical.  I said that because of a personal prejudice<br />
5 I affirm the balance because on the record the N-S axis is made clear by the wavy lines that deviate from the<br />
6 full circles.  So the entire piece is tiled to be a about 730.  PM or AM?    Then there is also this earthy spotted piece like mold.  There is the brown mold and the black mold that seems apart from the energy swirls<br />
7 and the red blast.  Rocket fuel no doubt to feed into the balancing arrow.<br />
8 an exercise in pure aesthetic beauty.  More like a jazz symphony a la dizzy in the 50’s.  How far can we push<br />
9 this free thinking thing and keep the semblance of order?  Now that I have blasted it apart it really hangs together.  Cule DAD. Cue bongos at the intro.  I starts to move now that I am past breaking it apart.<br />
10  and there is a hint of the sun sending a float of energy because the record is grey at the top and black at the bottom.  A view of earth from space with a really jazzy blurry lens.</p>
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	<item>
		<title>Comment on Frank Stella, Atvatabar by LaurenA</title>
		<link>http://artdiary.net/stella-atvatabar/#comment-47</link>
		<dc:creator>LaurenA</dc:creator>
		<pubDate>Mon, 03 Jan 2011 00:41:49 +0000</pubDate>
		<guid isPermaLink="false">http://artdiary.net/?p=165#comment-47</guid>
		<description>1) Hourse falling from the sky
2) crazy red spiral to death
3) guernica bulls head in grey
4) upsidetown pendulum sketches
5) kids spiralgraphing toys
6) stella!!!!!!!!!!!!!!!!!
7) cut/collage
8) why so much swirl?
9) 90s avatar concepting
10) ratio interactive via art</description>
		<content:encoded><![CDATA[<p>1) Hourse falling from the sky<br />
2) crazy red spiral to death<br />
3) guernica bulls head in grey<br />
4) upsidetown pendulum sketches<br />
5) kids spiralgraphing toys<br />
6) stella!!!!!!!!!!!!!!!!!<br />
7) cut/collage<br />
 <img src='http://artdiary.net/wp-includes/images/smilies/icon_cool.gif' alt='8)' class='wp-smiley' /> why so much swirl?<br />
9) 90s avatar concepting<br />
10) ratio interactive via art</p>
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